Power Station “LIFE GOES ON” Beijing Tour Concert | REYN AUDIO Sounding the Venue

November 9, 2026

On November 7, 2026, the Mandarin rock duo Power Station brought their "LIFE GOES ON" World Tour 2026 to Beijing, performing at the National Indoor Stadium. After nearly three decades together, Yu Chiu Sing and Yan Chi Lin rolled into the capital with timeless hits like "Dang" and "Zhongxiao East Road Walked Nine Times." REYN AUDIO provided full audio support, deploying RL15(RAFALE15)/RL2(RAFALE2) line arrays, GS218(CANNON218) subwoofers, RX12(COBRA12) front fills and M1(ABRAMS) stage monitors, with the TURANDOT Acoustic System Platform as the core of the acoustic design and control.

For Power Station, Beijing is a familiar stop. At the end of 2008, they joined Wong Ka Keung and Shin Band for the "Beyond the Peak" New Year Concert at the Workers' Stadium Indoor Arena; in 2018, their 20th-anniversary "Sing with Power" tour also landed at Beijing's Workers' Stadium. Eight years on, the train pulls into the capital once more — this time carrying the new theme of "LIFE GOES ON."

A Folding Fan as the Backdrop, Ice Sails as the Stage

The National Indoor Stadium, located in the Beijing Olympic Park, takes its design cue from a Chinese folding fan — a wavy roof that unfolds like flowing clouds and water. Together with the Bird's Nest and the Water Cube, it forms the trio of Olympic landmark venues. Beyond its fixed 18,000 seats, the show added roughly 2,000 temporary seats, placing it among the largest indoor arenas in Asia.

Yet it is precisely this scale that makes amplification a challenge. The fan-shaped seating leaves the east and west sides with asymmetrical coverage, while the undulating space creates complex reflections and energy distribution. To deliver even sound across every part of the "fan," the position and quantity of each speaker cluster had to be calculated individually.

Before the Gear Moves, the Sound Field Leads

Before the build began, the team used REYN AUDIO's in-house TURANDOT Acoustic System Platform to complete a 3D acoustic model and pre-show optimization of the National Indoor Stadium: sound propagation paths, coverage and energy distribution were simulated in advance, and attenuation curves and dead spots were mapped out well before showtime.

TURANDOT Acoustic System Report

Site Structure Report

Sound Field Layout Plan

SPL Sound Pressure Rendering Map

Over a Hundred Speakers, Each in Its Place

Over a hundred loudspeakers, each in its place. The main array paired 28 RL15(RAFALE15) with 8 RL2(RAFALE2) cabinets. The RL15, with its powerful low-mid energy and long-throw projection, solidly covered this near-20,000-capacity venue; the RL2, with its crisp high-frequency penetration and fine resolution, carried the intertwined harmonies and gritty high notes all the way to the farthest stand — intact.

The side-fill arrays for the fan-shaped seating were deployed symmetrically: Side1 with 32 RL2(RAFALE2) and Side2 with 12 RL2(RAFALE2). Each cluster's projection angle was tuned independently to its coverage zone, delivering targeted fill that precisely bridged the main-array blind spots and ensured uniform loudness and tonal consistency across the whole fan-shaped audience area.

The low-frequency front comprised 24 GS218(CANNON218) subwoofers — 6 flown (Fly Sub) and 18 ground-stacked (Ground Sub) at the stage front. The GS218 delivers large-dynamic, long-throw low-frequency reproduction with deep extension, low distortion and fast transients. A Power Station show never lacks heavy riffs and drum hits; the dual low-end layers carried that weight to every row of the ten-thousand-strong venue — full, thick bass enveloped the arena, drums punched with authority and bass lines stayed clear, building a hugely contagious atmosphere for the singalongs.

At the stage front, 8 RX12(COBRA12) front-fill cabinets held the near-field line, ensuring in-ring audiences missed none of the spontaneous interaction. On stage, 7 M1(ABRAMS) monitor cabinets evenly covered every performance position, giving both vocalists and the band clear, stable monitoring. The entire system was driven by RA1 and RA2 touring amplifier racks, delivering ample, balanced power to the full array.

To create a fully immersive experience, the concert deployed ACME's professional lighting system, using diverse light and shadow to echo the rock spirit: high-speed beam lights sliced sharp lines on the beat, full-color wash units shifted warm and cool with each song's mood, and strobes, haze and dynamic light arrays locked precisely to the arrangement as it built layer by layer. From the explosive energy of anthemic tracks to the tenderness of classic ballads, light and sound were deeply interlocked, building a three-dimensional, audio-visual experience.

Backed by REYN AUDIO's professional sound, every shout and every chord arrived at the ear in its most real and most powerful form. Power Station "LIFE GOES ON" — let's meet at every rock rendezvous across time.

Acoustic System: TURANDOT

REYN AUDIO Gear List:
· Main: RL15(RAFALE15)x28pcs + RL2(RAFALE2)x8pcs
· Fill Speaker:
Side1: RL2(RAFALE2)x32pcs
Side2: RL2(RAFALE2)x12pcs
· Fly Sub: GS218(CANNON218)x6pcs
· Ground Sub: GS218(CANNON218)x18pcs
· Front Fill Speaker: RX12(COBRA12)x8pcs
· Stage Monitor: M1(ABRAMS)x7pcs
· Digital Amplifier: RA1, RA2

ACME Lighting Gear List:
· High CRI 4-in-1 Moving Head: AECO 15
· Laser 3-in-1 Moving Head: XL 500 BSW IP(PHOTON HYBRID 500)
· Multifunctional Effect Light: TB 5 IP(TORNADO)
· Multifunctional Effect Light: STROBE 3 IP(PIXEL LINE IP)

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Gear List