Power Station “LIFE GOES ON” Tour — Wuhan Stop | Reyn Audio: Never Stop Moving, Never Stop the Sound

November 4, 2026

On October 31, 2026, Power Station's "LIFE GOES ON" World Tour kicked off its Wuhan stop with explosive energy at the Optics Valley International Tennis Center (Central Court). "Dang (When)," "Beipan Qingsong (The Betrayed Love Song)," "Zhongxiao East Road Walked Nine Times," and "Wuqing De Qingshu (The Heartless Love Letter)"—those melodies etched into a generation's memory—were sung once again in the River City by Yu Chiu-hsing and Yen Chih-lin. The 2024 "All Because of Love" tour's Wuhan stop was a sell-out; two years later, Power Station returns to Optics Valley to move forward with Wuhan fans and renew the bond.The sound reinforcement system for this show is fully supported by REYN AUDIO, featuring RL15 and RL2 line arrays, GS218 subwoofers, RX12 front fill speakers, M1 stage monitors, together with matching RA1 and RA2 amplifier.

Since their debut in 1997, Power Station has stood out in the Chinese-language music scene with a vocal range spanning 18 notes and a unique two-part harmony—their music balancing unrestrained, wild tension with delicate, deep emotion.

The Acoustic Answer Sheet of the Whirlwind Court

Nestled at the foot of Erfei Mountain in Wuhan's Optics Valley, the Optics Valley International Tennis Center is the main venue of the Wuhan Open. Its 15,000-seat Central Court, built in 2015, is nicknamed the "Whirlwind Court" for its shape resembling a tennis ball spinning at high speed.

This circular venue set multiple records, including China's tallest stadium interior at 46 meters and the largest number of fixed seats in Central China (13,073 seats), with astonishing ceiling height and massive scale.

But for the sound system, the high ceiling and annular stands posed a double challenge: the vast cavity volume tested the projection efficiency of acoustic energy, and if the reflected sound within the bowl-shaped space was mishandled, it would mask vocal detail. Power Station's live show is known for the layering of its two-part harmony and the explosive power of its high-pitched roars—every lingering reflection could blur the interwoven vocal lines of the two singers. In the pre-production phase, the team used REYN AUDIO's in-house TURANDOT acoustic simulation and control platform to complete 3D spatial modeling of the venue and simultaneously carry out sound-field optimization and parameter pre-setting. The system simulated sound propagation and pressure distribution, predicted attenuation and listening blind spots, and relied on algorithmic simulation to generate the optimal plan—front-loading the sound-field tuning to reduce on-site trial and error.

TURANDOT Acoustic System Report

Site Structure Report

Sound Field Layout Plan

SPL Sound Pressure Rendering Map

The main reinforcement (Main) system consisted of 28 units of RL15(RAFALE15) paired with 8 units of RL2(RAFALE2). With its powerful mid-low frequency energy and long-throw projection, the RL15(RAFALE15) maintained ample sound pressure even in the 46-meter-high space; the RL2(RAFALE2), with its excellent high-frequency penetration and refined resolution, clearly delivered every interweaving of the two-part harmony and every nuance of the high-pitched roars to each tier of the annular stands.

The side-wing Side Fill arrays used RL2(RAFALE2) exclusively, 36 units in total—Side 1 deployed 28 units of RL2(RAFALE2) and Side 2 deployed 8 units of RL2(RAFALE2), precisely covering the inner-field side areas, filling the main-array blind spots, and eliminating sound-field gaps so that side audiences enjoyed a balanced listening experience consistent with the central zone.

The entire low-frequency system adopted a dual-subwoofer deployment: the Fly Sub deployed 6 units of GS218(CANNON218) flown units combined with the Ground Sub's 18 units of GS218(CANNON218) ground-stacked subwoofers. The full, heavy low frequencies enveloped the whole venue; the drum beats landed with punchy precision and the bass lines stayed clear, creating a highly infectious sound-field atmosphere for the mass chorus.

Along the stage front edge, 8 units of RX12(COBRA12) front-fill (Front Fill) loudspeakers were placed to improve near-field listening for the front rows. On stage, 7 units of M1(ABRAMS) monitor loudspeakers evenly covered all performance positions, keeping vocal and instrumental monitoring clear and stable, letting this close-knit duo of more than two decades perform relaxed and sing with abandon. The entire system was driven by RA1 and RA2 amplifier system racks, building a precision acoustic network covering the whole Whirlwind Court.

Light and Shadow Ignite the Rock Live Show

Beyond the meticulous sound design, the show was also equipped with an ACME lighting array, unfolding light and shadow along the tension and deep emotion in Power Station's vocals. The beams traveled and contracted within the open, high-ceilinged space of the Whirlwind Court; the rhythm of light and shadow matched the musical narrative without redundant flourish, serving as an extension of the sound and blending with the entire sound-field system to jointly uplift the unique emotional expression of this rock live show.

When the prelude of "Dang (When)" began, the full-venue chorus of "Let us ride the mortal world as companions, living free and unrestrained" was destined to echo through the Whirlwind Court once again. Two decades of brotherly harmony deserve to be heard with the utmost clarity; the forward-driving rock flame deserves to burn in the most fitting sound field.

Acoustic System: TURANDOT

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