On August 1, 2026, William Wei’s "HI WE1" tour landed at the Optics Valley International Tennis Center Central Court in Wuhan. Built around the concept of a "musical phone call," the concert blended ballads, R&B, light rock, and dance tracks, bringing tracks like If Only, Waiting Slowly, and Still to life, bringing countless fans together for a dual reunion of earphones and reality.

Main PA: Composed of 28 RL15 (RAFALE 15) and 8 RL2 (RAFALE 2) units. Leveraging the precise directivity of line sources, it efficiently projects vocal and instrumental energy to the inner field, middle stands, and distant high stands while suppressing disorderly sound wave scattering to ensure complete vocal articulation and instrument details even in the furthest seats.

Low-frequency System: Adopts a dual-layer architecture combining flying subwoofers and a ground subwoofer matrix. Fly-sub features 12 suspended GS218 (CANNON 218) units to shape a floating ambient low-end; Ground-sub deploys 34 GS218 (CANNON 218) units on the ground to build a solid and heavy low-frequency chassis. The dual layers coordinate seamlessly: rhythmic tracks deliver powerful low-frequency impact, while lyrical passages offer warm and restrained bass, keeping low frequencies cleanly separated from vocals and instruments without muddy overlap.

Front-fill: Deploys 8 RX12 (COBRA 12) front-fill speakers along the stage front, specially optimizing the near-field area in the front rows of the inner field, resolving pain points such as front-row sound crowding, detail loss, and listening disconnection, giving front-row audiences a delicate and transparent listening experience. Stage Monitoring: 8 M1 (ABRAMS) stage monitors are distributed across stage positions to provide stable and clear monitoring signals for the singer and band in noisy live environments, ensuring stable performances across multi-style tracks.

The entire audio routing is stably driven by RA1 and RA2 digital amplifier racks, with all array units working in synergy. Whether it is a slow storytelling ballad or an energetic rhythmic performance, the vocals, guitars, keyboards, and percussion maintain complete and distinct layers; when tens of thousands of people sing together in unison, the audience harmony layers over powerfully while the sound field remains crystal clear and transparent without muddy coloration.

Visually, ACME lighting equipment synchronizes dynamically with the sound field, matching the gentle "call and greeting" emotional core of the entire show. AECO 20 high-CRI front lights faithfully restore skin tones and costume details; XP 500 BSW IP(ZEUS) versatile moving heads cut through with sharp beams to shape changing stage designs; STROBE 5 IP(HAIL) multi-functional strobes and STROBE 3 IP(PIXEL LINE IP) strip strobe pixel lights output rhythm-synced strobes and flowing pixel light effects following drum beats; TB-1230 QW(DOTLINE360) strip main effect lights spread out extended light and shadow lines; paired with the AECO TRACK follow-spot system, beams lock on precisely no matter where the artist moves on stage. Lyrical tracks feature soft and serene lighting and shadows, while fast tracks burst with synchronized strobe beams, with sound and light empowering each other to amplify the emotional tension of every melody.

When familiar melodies ring out and tens of thousands of fans sing along together, the singing wraps around the gentleness of Jiangcheng's summer night and fills the entire venue. Relying on early simulation planning from the TURANDOT acoustic platform, Reyn Audio delivered a delicate and stable sound field, paired with ACME's narrative light and shadow, building an emotional bridge between the singer and fans, perfectly replicating the emotion from earphones into the real live setting. Looking forward to the upcoming tour cities, continuing to safeguard every sincere musical dialogue with professional sound and light.